JP ON DA TRACK – PRODUCER SPOTLIGHT & INTERVIEW
JP on da Track is a gifted music producer hailing from Cheshire, Connecticut. JP is the alter ego of the accomplished Jake Procanik. Only 21 and he has already collaborated with some of the biggest names in the music and entertainment world. From his home studio, JP has worked with the likes of Chris Webby, Adam Sandler, Pete Davidson and DJ Ashba from Guns and Roses. In fact, JP has made music with Webby since he was in high School.
JP is undeniably a new breed producer. He has an amazingly creative ear for music and his beats are just plain outstanding. JP understands how to craft music that is artistically beautiful yet still universally accessible. Coupling his strong work ethic with his humble personality JP has become a major figure in today’s music scene.
Besides hooking up with top tier personalities, JP is constantly looking for new and exciting artists to work with. He enjoys the rush of finding something current and fresh. He routinely scrutinizes Twitter and other social media websites searching for raw and original potential.
JP was kind enough to answer a few questions about his music and production.
AMP: What inspired you to start your musical journey?
JP: I’ve always loved and been around music since I was young. It started with playing the drums at around three years old, eventually picking up the guitar not long after. From then on I was hooked and never stopped playing, always practicing. There was a few years in elementary school when I even played the trumpet . I was always trying to get my hands on different instruments to see what the outcome would be. From the ages of 10-13 I started getting super into computers. I would make makeshift movies on Final Cut Pro and always creating tracks on GarageBand and Logic. When I was 14 I got my hands on FL Studio and that’s when I really started to develop my sound and when I knew I wanted to be a musician. I was never into video games or watching TV so I would be constantly making music 24/7. Which is still the case now. I just love to create things, whether it’s music or art. Making music just happens to be my passion but I try to be as diverse as possible.
AMP: Many artists produce music much differently today with all the file sharing going on. Do you feel the recording studio experience is a thing of the past?
JP: For sure. The technology has advanced so much that there isn’t much use for a 20-100 track mixing board or any physical analog gear in these huge studios. It’s as easy as downloading pro tools or any of the recording DAWs on your computer and having the right tool kit of plug-ins. The possibilities are endless. A lot of artists now just record/produce in their home studios. Then they can remotely send their engineers stems. They don’t even have to be in the same room. At the end of the day, it comes down to preference and taste and what’s accessible to you at the time.
AMP: You have worked with Chris Webby since you were in high school. What’s was that like?
JP: Chris Webby has played a MAJOR role in shaping me into the producer I am today. When we first connected back in 2015 there was an instant chemistry between us. Ever since then we have just been constantly making music together. We have worked hard in creating this distinct sound that you recognize as soon as the song comes on. A ton of artists in this game can be extremely deceitful and stab you in the back. Webby is one of the most caring and honest individuals I’ve ever met. I’m fortunate to be working with him as his go-to producer.
AMP: You have produced music cross many different genres such as rock (DJ Ashba) and rap (Webby). How do you tailor your music to fit the occasion?
JP: I am always cross pollinating genres and producing out of my comfort zone. I try to stay as versatile as possible and not stick to a certain lane when making music. It has taken time but now I can definitely say I’m able to make and mesh any genre. I’ve always been into EDM, Hip-Hop, R&B, Pop, Alt-rock and the list goes on. Because of having this varied background and my ability to adapt I feel comfortable and confident with working with musicians such as DJ Ashba. I then can go home and make Hip-Hop music with Webby. It’s really refreshing to be always switching up creativity.
AMP: You have done a couple of pieces with Pete Davidson (and subsequently Adam Sandler) for SNL. How was it working with him?
JP: Pete is an awesome and hilarious guy. He has always been a fan of Chris Webby and the music we’ve been making. I was fortunate enough to connect with him recently. We have been working on a ton of music/sketches on the outside as well. It’s just been an overall great opportunity.
AMP: You are constantly looking for up and coming artists to work with and produce. How do you find them?
JP: I keep my eyes open as much as possible on my socials. I go off on deep dives in Spotify to see who’s putting out new music. For the most part, I am open to collaborate with anyone. If there’s a talent I want to work with I jump on it quickly. Instragram has been a great way of discovering artists as well.
AMP: What’s in the future for JP on the Track?
JP: I plan to just keep growing as a musician and producer and networking as much as I can. So far I have been incredibly busy this year and have quite a few surprises coming soon.
I want to thank JP for his thoughtful answers and his time. I do have to mention that Jake has been dating my beautiful niece, Sierra Penner, since high school. They do work very well together as well.
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3 thoughts on “JP ON DA TRACK – PRODUCER SPOTLIGHT & INTERVIEW”
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Great article!!!!
Ralph, you are too cool! Great article & interview, and JP makes an interesting observation that recording studios may one day be obsolete. I’m not sure I like that, but technology has made it possible for artists & producers to create a lot of great music in their bedrooms.
Jeff, don’t know how cool I am but thanks for the compliment. I’ve known JP for a few years and always said he will be a major talent in the industry. He’s really talented. I agree with you though about recording studios. It would be a shame if they slowly disappeared. Spent many a day with bands in the studio.