HEATHER ANNE LOMAX – AN ARTIST SPOTLIGHT AND INTERVIEW
Feature Image Photo Credit: Remi
By Ralph Beauchamp
Heather Anne Lomax usually lives at the crossroads where Americana, folk and blues all meet but on her new album entitled Who Do You Think You Are? she explores the realms of classic rock with a modern twist. Released by The Blackbird Record Label, the full length offers fresh takes on the emotionally charged music genre. Heather Anne Lomax‘s voice has the perfect resonance and power to totally embrace the world of rock.
Lomax‘s songwriting is also impeccable. She crafts songs that are feel personal yet throttle rock’s intensity. Heather Anne Lomax uses her Americana songwriting skills of writing introspective gems to give her new music a vibrant dimension. Who Do You Think You Are? delivers an unbelievable sonic swagger that showcases Lomax‘s ability to create for any style of music. There is also a distinctly rootsy flavor to Lomax‘s vocals. She can belt them out as well as anyone. Think Grace Slick meets Linda Ronstadt.
Who Do You Think You Are? arrives on August 28th. It was produced by Zachary Ross and mixed by Jason Hiller. It was recorded live at Robby Krieger’s Love Street Sound with an astounding group of talented musicians. The album captures the spontaneous chemistry and energy of an ensemble ready to create something special. Lead in singles “Come Along” and “Step Aside” preview an album featuring big guitar riffs, compelling vocals and impressive songwriting. Heather Anne Lomax demands attention.
Heather Anne Lomax was kind enough to sit for this interview.
AMP: Your music blends rock, blues, Americana and soul. How would you describe your sound to someone hearing you for the first time?
HEATHER: Kind of a mash-up between Queen, The Black Crowes and a little of Janis Joplin. There is a more classic rock feel on the new record. In the past, I focused more on Americana and country rock. I’m extremely happy to head over to the world of rock.
AMP: How has your sound evolved since your earlier releases?
HEATHER: This album was really inspired by two covers I sang at my last record release party at the Troubadour. I sang two songs (“Superstar” and “All Is Forgiven”} by The Broken Homes which featured Michael Doman who has passed. It just felt right and truth be told, I always loved rock. It was something that lived deep inside my soul. Rock is gritty, passionate and really in your face. I feel this record represents a primal part of me.
AMP: Your music often feels deeply personal. Where do most of your ideas begin – with lyrics, melody or emotions?
HEATHER: It really depends on the song. Zachary Ross, who produced this record, sent me selections from 70s bands like Truth. I enjoyed and studied them. So, I tried to delve and glean into that specific era. Then I began to put my own spin on things. I have to say, this record started mostly with the sound and melody.
AMP: You’ve talked about capturing the energy of live recording. What does recording live allow you to express that overdubbing sometimes doesn’t?
HEATHER: Recording live fosters a unification of spirit between all the musicians involved. It creates this immense electricity that can’t be manufactured anywhere else. Everyone is in the moment. There this band comraderie that instantly forms. We recorded five to six songs each day for a couple of day at Robby Krieger’s Love Street Studios. All the players in the room are quite noteworthy, They are all amazing talents.
AMP: Your new album, Who Do You Think You Are? gets released in a few days via The Blackbird Record Label. Can you give us a little insight into the project?
HEATHER: Even though I was terrified, I really wanted to record a rock album. My move from L.A. to Vegas is a big part of this record. It’s like shedding the old and embracing the new. I wanted to explore my love of early rock & roll.
AMP: How important was that chemistry with your band when you were in the studio?
HEATHER: Super important! Also, the level of professionalism that they brought to the sessions was outstanding. Zach used four different drummers. One played with Dolly Parton and another with Grace Potter. There were three keyboard players. Jason Hiller, who also mixed, played bass. I was so happy that everybody jelled and worked so well together. It was shocking how beautiful the final mixes were.
AMP: Are there any modern artists who has influenced you as much as the classic performers?+
HEATHER: I love Beth Hart. Her raw energy is simply off the charts. I kind of identify with that. Maria McKee from Lone Justice is another inspiration. Also Larkin Poe is fabulous. Totally into them. These are probably my top three. I respect their authenticity and soul.
AMP: Your performances have a raw emotional quality. How do you prepare mentally before walking on stage?
HEATHER: I try to get outside of myself and go to another place. In addition, I want my music to deliver. I want the audience to feel something and grab hold of what I am singing. They should feel like they are part of the music not just listeners.
AMP: What’s the most memorable audience reaction you’ve experienced?
HEATHER: A standing ovation is always nice {laughing}. I’m a little older now and I did a show with a bunch of younger musicians and was thrilled with their enthusiasm. It was lovely and just the fact that they got the music was affirming.
AMP: You describe music as a form of catharsis. How has songwriting helped you process life’s experiences?
HEATHER: A lot of times it’s my therapy. Some albums and some songs more than others. It is my release valve for whatever trapped emotions happens to be inside. Music has a way of turning something painful from your past into something beautiful. Out pops out a piece of art. In turn. those cathartic realizations can be of benefit to others who are experiencing similar traumas.
AMP: Are there musical directions you haven’t explored yet but would like to?
HEATHER: Previously, I wrote a song entitled “Heavy Load” which had a more country and bluegrass vibe. It would be cool to do something like that again.
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